This exhibition presents a wide and varied selection of paintings by Anglada-Camarasa in order to present his oeuvre from a personal, romantic perspective that recalls the layout of the Museum in Pollença. It provides a unique opportunity to learn more about the work of Anglada-Camarasa through a different exhibition approach from how the work has been shown in CaixaForum until now.

The National Gallery presents the first UK exhibition of Spain's Impressionist, Sorolla, in over a century.
Known as the "master of light" for his iridescent canvases, this is a rare opportunity to see the most complete exhibition of Joaquín Sorolla y Bastida's (1863-1923) paintings outside Spain.

The exhibition entitled "Kraków 1900" presents the story of the city at the turn of the 20th century, a period known as Kraków's Belle Époque.

The National Museum in Kraków is commemorating the 110th anniversary of Stanis?aw Wyspianski 's death with an exhibition entitled "Wyspianski" that includes more than 900 works by this outstanding, multifaceted artist from Poland at the turn of the 20th century. Wyspianski was a major poet, painter, playwright, designer, illustrator, theatre reformer, graphic designer and set designer.

On the centenary of the death of Koloman Moser (1868-1918), the MAK is hosting a large exhibition to showcase his wide-ranging oeuvre, which covers the disciplines of painting and graphic design, applied art, interior design, fashion, and scenography.

"Gauguin: A Spiritual Journey" is the first exhibition at FAMSF dedicated to the work of Paul Gauguin (1848-1903).
The show explores two themes central to his career: the relationships that shaped his life and work and his quest to understand spirituality, both his own and that of other cultures he encountered. More than sixty Gauguin works will be on view -ranging from oil paintings and works on paper to wood carvings and ceramics- alongside art of the Pacific Islands from the FAMSF collection. These works combined encompass distinctive phases of Gauguin's career to show the development of his ideas, the scope of his oeuvre and the inspiration he found in New Zealand, the Marquesas Islands and Tahiti.

Elza Kastl Obereigner was born in Ljubljana on 26 April 1884. Although, generally best known for her portraits, in Ljubljana she was known as the "the last Slovenian miniaturist".  The temporary exhibition on show at the City Museum of Ljubljana is presenting her oeuvre in sculpture.
The accompanying catalogue of the exhibition is also available.

The Institut Mathindenhöhe Darmstadt celebrates the 150th birthday of Grand Duke Ernst Ludwig of Hesse and Rhine with an exhibition in the Ernst Ludwig House, today's Artist's Colony Museum. The exhibition will feature the creative work of the multi-talented Grand Duke. This first-of-its-kind exhibition will present a multifaceted compilation of the grand Duke's poems, musical compositions, theatre plays, expressive watercolours, philanthropic projects, as well as public relations activities. Thus the exhibition will illustrate the often-quoted guiding principal of Ernst Ludwig: "Have reverence for the past and courage to freshly dare the new".

The Maricel Museum presents the central exhibition of the centenary of the Maricel. It is a portrait of the process of design and construction of a singular building, which at the time of its inauguration caused a significant impact in the cultural circles of Catalonia.

2018 is the centenary of Egon Schiele's death (1890 - 1918). Marking this occasion, the Belvedere is showing its collection of Schiele paintings with highlights including Eduard Kosmack, Façade of a House, Death and Maiden, Embrace, and Four Trees. Visitors can look forward to an outstanding presentation shedding light on the full extent of the Schiele collection once housed at the Belvedere.

Art Nouveau was a very significant period for the creation of wallpaper and fabrics. Inside Art Nouveau buildings, both Victor Horta and his contemporaries gave meaning to the concept of total art and revolutionised the applied arts, abolishing the hierarchy between different forms of plastic art. Original motifs, complex craftwork... the exhibition restores this fragile heritage to the place it deserves in the history of forms.

The exhibition "Toulouse-Lautrec and the Spirit of Montmartre" focuses on the artist's career during his time in Montmartre. A period in his life that he shared with Bohemian and Avant-Garde inspired artists and one that reflects a key moment in the development of modern art.

Marlene Dumas is one of the most influential painters in contemporary art. She confronts and seduces us with her expressive figurative motifs. Taking on the role of curator for the first time, she presents us with Edvard Munch's art in dialogue with her own works.

The travelling exhibition "Modernisme and Flowers. From Nature to Architecture" focuses on how the decorative arts of Modernisme represented plants and flowers when used in construction. An exhibition is for the first time establishing a dialogue between the world of plants and Modernista architecture. The exhibition discourse has been divided into four areas. The first explains the creative process of artists when "capturing" the images of flowers. The second involves a journey through eight applied arts fields in architecture and their respective creation processes: ceramics, mosaics, ironwork, stonework, stucco, hydraulic mosaics, stained glass and plasterwork. The third offers an exhibition tour of flowers and plants that recreate a huge timeless garden. The exhibition concludes by looking at the difficulty of preserving the applied arts in construction.

The exhibition curators are Fatima López and Marta Saliné, both PhDs in Art History and members of the GRACMON research group at the University of Barcelona.

The original rooms of the last studio of Gustav Klimt in the Feldmühlgasse, 11 in Hietzing, Vienna, were identified after scrupulous investigations and were restored to their historical condition - right down to the wall colours and surfaces.  The atelier revives the atmosphere and décor that must have prevailed in the studios from 1911 to 1918.  Furniture reconstruction in the waiting room and studios was carried out with reliance on photos by Moriz Nähr and available samples of furnishings (for example, carpets).  In other rooms of the atelier, various media - old newspapers, etc. - provide information about significant models and "clients" from this period of Klimt's creativity.

From 1911 until his death in 1918, Gustav Klimt painted some of his most important works in his studios in the Feldmühlgasse.  Though at that time it was a single-level cottage, in 1923 the owner renovated the house and turned it into a neo-Baroque villa.  That means, of course, that Klimt never saw the building as we see it today.  In spite of that, the house became known - by people in the neighborhood as well as by aficionados - as the "Klimt Villa."

It is the story of a shop unlike anything built nowadays. Over 100 years old, it is the last semi-industrial building designed by Victor Horta that is still in existence! During the first 70 years of its life, cloth and fabrics were sold there, as planned by Charles Waucquez.
Witness to the transformation of Brussels, in a district that is without doubt the one that had suffered most from 20th century progress, the shop closed in 1970, and thereafter experienced its most difficult years. Then new hopes, new projects appeared.
In 1984, the building was bought by the federal State, with the aim of establishing a museum devoted to comic strip.

The presentation will include a selection of drawings, photographs, and sketches for objects ranging from windows to baptismal fonts, that reveal something of the creative processa t Tiffany?s firm.

This exhibition provides an intimate view of the innovator who built the artistic empire of Tiffany Studios, a man who found inspiration, for example, in farm scenes, children playing in the surf, and boats on the Hudson River.

105 years after the official inauguration of the Wolfers Frères jewellery store in 1912, visitors will once again be able to admire the shop in its original form. To do this, the Cinquantenaire museum has cleared a room of approximately the same shape and area as that originally foreseen by Victor Horta in the building in rue d?Arenberg in Brussels