The National Museum in Kraków is commemorating the 110th anniversary of Stanis?aw Wyspianski 's death with an exhibition entitled "Wyspianski" that includes more than 900 works by this outstanding, multifaceted artist from Poland at the turn of the 20th century. Wyspianski was a major poet, painter, playwright, designer, illustrator, theatre reformer, graphic designer and set designer.

It is the story of a shop unlike anything built nowadays. Over 100 years old, it is the last semi-industrial building designed by Victor Horta that is still in existence! During the first 70 years of its life, cloth and fabrics were sold there, as planned by Charles Waucquez.
Witness to the transformation of Brussels, in a district that is without doubt the one that had suffered most from 20th century progress, the shop closed in 1970, and thereafter experienced its most difficult years. Then new hopes, new projects appeared.
In 1984, the building was bought by the federal State, with the aim of establishing a museum devoted to comic strip.

The presentation will include a selection of drawings, photographs, and sketches for objects ranging from windows to baptismal fonts, that reveal something of the creative processa t Tiffany?s firm.

This exhibition provides an intimate view of the innovator who built the artistic empire of Tiffany Studios, a man who found inspiration, for example, in farm scenes, children playing in the surf, and boats on the Hudson River.

105 years after the official inauguration of the Wolfers Frères jewellery store in 1912, visitors will once again be able to admire the shop in its original form. To do this, the Cinquantenaire museum has cleared a room of approximately the same shape and area as that originally foreseen by Victor Horta in the building in rue d?Arenberg in Brussels

The inaugural temporary exhibition aims to put Casa Vicens in an international context with a view of single-family homes designed by Gaudí?s most important contemporaries: the timeline of these figures begins with Viollet-le-Duc and William Morris, who were key in Gaudí?s training, and then moves to great American architects from the first generation of the Modern Architecture movement (Richardson, Sullivan and Wright), European architects of the same generation (Berlage, Wagner and others), and finishes up with various expressions of Art Nouveau (Horta, Guimard, Mackintosh and Olbirch).

The Petit Palais is presenting for the first time a selection of close to 150 pastels from its own collection. The exhibition offers an exhaustive overview of the main artistic currents of the second half of the 19th-century, from Impressionism to Symbolism.

In the years around 1900, the multi-ethnic realm of the Habsburg Monarchy experienced a lively exchange of art and culture between Vienna, its center, and the main cities of the Crown lands such as Zagreb. For the development of Croatian art around the turn of the century, this exchange was very significant. In the exhibition, the connections and points of reference at the start of the twentieth century are presented by key works of Austrian and Croatian artists of that period.