The goal of this exchange day is to compare the legislations used in different European countries and possibly to see the evolution of legislations in Europe since the first multilateral exchange on the same topic (Brussels, December 2010). The interesting issue of the Art Nouveau heritage restoration will also be part of the topic of this day.
The informal meeting, practical and in a small group will allow a direct dialogue and a sharing of knowledge between interested co-organisers and professionals. A great space will be dedicated to practical presentations (for example PowerPoint Presentation, administrative files, city budgets dedicated to restoration of listed buildings, etc?), questions and debates.
The presentations on protection polities and financial supports can be done at the level of listed buildings in the city scale or can be a specific study case concerning one Art Nouveau listed building.

FREE PARTICIPATION / REGISTRATION COMPULSORY

This project has been funded with the support from the European Commission. This communication reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

Lecture by:
Brigitte Fossion

Dates:
Wednesday 2 october at 9:45 or
Saturday 5 october at 14:00

This exhibition presents a representative selection of English fabrics from the MAK Collection of Textiles and Carpets. These textiles were purchased in England for the museum and presented to the Viennese public while they were still new. Hence, Vienna´s artists and tradespeople got to know and took inspiration from these innovative, English-designed products even prior to 1900, as is shown prominently in the new Vienna 1900 exhibit of the MAK Permanent Collection. The best-known English designers of their era, figures including William Morris, Walter Crane and Charles F. A. Voysey, are represented in this showing by fabric and wallpaper designs characterized above all by generously dimensioned repeat patterns as well as patterns derived from plants and flowers.

Curator Barbara Karl, Curator, MAK Textiles and Carpets Collection

In 2013 all of Norway is celebrating the 150th anniversary of the birth of Edvard Munch (1863-1944), one of the towering figures of modern art.

The exhibition "Munch 150", co-hosted by the National Museum and the Munch Museum, is the most ambitious presentation of Munch´s art ever, and with 220 paintings it displays the greatest number of Munch´s key works in modern times. Highlights of the exhibition include near-complete reconstructions of The Frieze of Life (1902) and The Reinhardt Frieze (1906-1907). One of the aims of the exhibition is to inspire visitors to discover "their own Munch" as an ever experimenting, innovative, and relevant artist.

"Munch 150" is shown in to two venues: Works from 1882-1903 are displayed in the National Gallery and works from 1904-1944 in the Munch Museum.

Curators: Nils Ohlsen, Mai Britt Guleng and Jon Ove Steihaug

Lecture by:
Nathalie Halgand

Dates:
Wednesday 16 October at 9:45 or
Saturday 19 October at 14:00

The show brings together an outstanding series of engravings by the artist Ismael Smith in a style combining Modernisme, Noucentisme and Art Déco. It is completed by a series of bookplates and story illustrations and expanded by a selection of Goya engravings that influenced Smith, as well as some pieces showing the friendship and special connection between Smith and Marià Andreu  Mataró artist.

The exhibition is curated by Txema Romero, Director of Cerdanyola Art Musem.

"The Natures of Art Nouveau" is a travelling exhibition 2013-2015 organised by the Réseau Art Nouveau Network in the framework of the European project "Art Nouveau & Ecology" (2010-2015) supported by the Culture 2007-2013 programme of the European Commission, the exhibition comprises two identical concurrent exhibitions.

The goal of the exhibition is to draw visitors into an original discovery of Art Nouveau and its relation with nature, showing the evolution of artistic work from the idea to final products in Art Nouveau style, thanks to a richly documented iconography.

The exhibition is divided into three sections:

- The eye of the period, which examines artistic fascination with nature, with scientific discoveries in botany, zoology, oceanography, with evolutionary theories and technical inventions of microscope, photography and cinema.

- The Nature´s Workshop, which shows artistic experimentations with natural and artificial materials and new techniques to create new forms, inspired by nature: new line, ornaments and structures, patterns and symbols.

- Artificial landscapes, which illustrate art nouveau interpretations of natural periods and elements - spring, earth, water, air, light, fire.

The exhibition gives the general public and Art Nouveau lovers the opportunity to understand the role of nature in art, especially during the Art Nouveau period. Children can enjoy the exhibition as well, thanks to an activity book.

Entrance to the exhibition is free.

Press release

Extended until 03.03.2014

"The Natures of Art Nouveau" is a travelling exhibition 2013-2015 organised by the Réseau Art Nouveau Network in the framework of the European project "Art Nouveau & Ecology" (2010-2015) supported by the Culture 2007-2013 programme of the European Commission, the exhibition comprises two identical concurrent exhibitions.

The goal of the exhibition is to draw visitors into an original discovery of Art Nouveau and its relation with nature, showing the evolution of artistic work from the idea to final products in Art Nouveau style, thanks to a richly documented iconography.

The exhibition is divided into three sections:

- The eye of the period, which examines artistic fascination with nature, with scientific discoveries in botany, zoology, oceanography, with evolutionary theories and technical inventions of microscope, photography and cinema.

- The Nature´s Workshop, which shows artistic experimentations with natural and artificial materials and new techniques to create new forms, inspired by nature: new line, ornaments and structures, patterns and symbols.

- Artificial landscapes, which illustrate art nouveau interpretations of natural periods and elements - spring, earth, water, air, light, fire.

The exhibition gives the general public and Art Nouveau lovers the opportunity to understand the role of nature in art, especially during the Art Nouveau period. Children can enjoy the exhibition as well, thanks to an activity book.

Entrance to the exhibition is free.

Press release

The search for beauty, utility and comfort and a certain element of exhibitionistic luxury are essentials of Modernism, as found in the interiors of bourgeois housing.
Together with architects, carpenter-decorators became a fashionable profession, receiving commissions from the bourgeois and concerning themselves with the furniture design and decoration of the houses; a reflection of the tastes of the time and the new way of living. Gaspar Homar and Joan Busquets are two outstanding examples of this profession. The Museu Nacional d´Art de Catalunya holds a notable range their work, both projects and furniture.

The exhibition "Empremtes: Lluís Domènech i Montaner a Canet de Mar" (Traces: Lluís Domènech i Montaner in Canet de Mar), organised by the Lluís Domènech i Montaner House Museum in Canet de Mar, analyses the deep relationship between the architect and this town.