This special exhibition examines Klimt's landscapes in the context of his larger oeuvre, tracing the evolution of his style from one informed by historicism and the academic tradition to an embrace of Symbolist tendencies. After the founding of the Vienna Secession in 1897, Klimt became a leading exponent of the modern movement. He spent a decade exploring the ideal of the Gesamtkunstwerk, and his approach became more decorative and ornate during this period, culminating in his Golden Style. He then turned to a more painterly approach, working in pure colour and influenced by French artists in particular.

Modernista Fair will take place on 24, 25 and 26 May 2024. This year it will be dedicated to the playwright and poet Àngel Guimerà (1845-1924) to commemorate the centenary of his death. The fair, which will be held in carrer Bruc, between Avinguda Diagonal and Carrer València, is jointly organised by the Municipal Institute of Urban Landscape, the Eixample district and Coreixample (Association of Traders and Professionals of the Right of the Eixample).

The programme will begin on Tuesday 21 May with the presentation of the Fair at Casa Elizalde, followed by the inaugural lecture by Ramon Bacardit, curator of the Guimerà Year.

This exhibition is the first comprehensive presentation of Ukrainian art from the first half of the twentieth century to be shown outside Ukraine. It relates this tempestuous chapter of Ukrainian cultural history and tells of how modern artists tried to reinforce Ukrainian sovereignty and independence and establish a recognizable national style. The Belvedere is placing a focus on art from around 1900 to highlight connections to the development of Jugendstil.

7 February-23 June 2024

Can Tinturé Museum

New exhibition at the Can Tinturé Museum exploring Lluís Domènech i Montaner's architecture approached as a scenario.

Based on four of his masterpieces, we will learn how he fashioned venues which became scenarios where the story takes precedence over the decoration.

Free admission

The the aim of this exhibition is to understand Horta's expression and vocabulary without any preconceived ideas...To understand Horta from the inside by going off the beaten track.

The exhibition shows the multifaceted nature of the Art Nouveau period and the further development of international Arts and Crafts up to the 1930s with a focus on Art Deco and Bauhaus.

The exhibition is devoted to the life and work of Susanne Homann (1866-1923), an exciting and versatile woman. She photographed the cosmopolitan spa Bad Nauheim from the Belle Époque. On display are numerous photographs that Homann took over the course of her career in very different areas.

The exhibition presented at Amatller Art Centre is an immersive and interactive experience that forms part of the activities organised for the Joaquín Sorolla Year (2023-2024) to pay tribute to this creative genius who captivated local and international society at the time.

The installation is divided into 7 halls. It allows visitors to approach the great Valencian artist through emotions and profound stories. Throughout the exhibition, visitors can get to know the Valencia of his time, understand the family context that formed his personality, identify the artistic environment that made him grow up and made him stand out as a creator. Visitors are also able to experience the excitement of looking at original paintings, immerse themselves in a magical atmosphere when his paintings come to life in the immersive room, or literally enter his works thanks to virtual reality.

The exhibition features not only her major works but also paintings from her closest mentors and colleagues, illustrating the mutual influences between them and her evolution from Impressionism to the New Objectivity of the 1920s. Koller-Pinell was one of the few women artists with a leading presence in Viennese Modernism.

The show will include approximately 200 pieces of jewelry and objects collected by Chicagoans, many never displayed before in public. Exhibition highlights include a 19th century jeweled monstrance, three magnificent tiaras, jewelry renderings by René Lalique and by Anne Howe Geyer for Mauboisson, a large collection of medals of the French kings, the Cliff Dweller's Club famous punch bowl by Robert Jarvie, and much more.

This exhibition is the last opportunity to see the seven large-format paintings of elf-like winged creatures that Friedrich Wilhelm Kleukens painted more than 100 years ago for the waiting room of Bathhouse 2 in the Sprudelhof in Bad Nauheim.
At the end of the exhibition, the elves will return to their original location and will only be on display during a visit to the sauna, as the waiting room of Bathhouse 2 will then be converted into a relaxation room.

Is Art Nouveau a style? Or could it be better described as a state of mind and an insatiable faith in modernity? Maison Hannon presents "Belgian Art Nouveau: Van de Velde, Serrurier-Bovy, Hankar & Co", an exhibition devoted to the Belgian Art Nouveau movement in all its diversity. With a wide range of pieces from public and private collections, many of which have never been seen before.

The exhibition presents a journey that traces the painter's growing interest in floral elements. Through Anglada-Camarasa's oils, drawings, photographs, prints and clothing, we can see how flowers became an important element in his paintings and how they shaped his life.