Tilla Durieux was a celebrated star of the film and theater, a modern woman of the 1920s, politically active and perhaps the most portrayed woman of her time. The roles of Tilla Durieux (1880-1971) were as varied as the artists for whom she posed as a model, among them Auguste Renoir, Max Slevogt, Lovis Corinth, Franz von Stuck, Charley Toorop, Ernst Barlach, Oskar Kokoschka, Max Oppenheimer and the photographers Lotte Jacobi and Frieda Riess.

This exhibition will focus on the contradictory and dogmatic personality of Feliu Elias (Barcelona, ??1878-1948). An artist with a multifaceted personality in which the painter Elias, the caricaturist Apa, the historian and art critic Joan Sacs and even the "Green Devil", another of his aliases when he signs articles on technique, coexist and painting trades.

The exhibition will present a synthesis of his creative activity, focusing especially on his miniaturist brushwork painting that, within a magical realism, equally exalts his familiar sphere - a humble light bulb, a fried egg, a toile de Jouy, an Elizabethan chair or a mortar- than his daughters or artistic passions, such as Dutch painting, Alfred Sisley or Chinese ceramics. It is a painting that is not subject to major technical evolutions, that remains impassive and faithful to specific themes throughout its entire life, and that radiates its predilection for material culture

Monographic exhibition dedicated to the great illustrator Ricard Opisso i Sala. The show presents more than 30 works by this unique artist, who began his career with Antoni Gaudí and became popular illustrating the pages of TBO, a Catalan comic magazine written in Spanish with some issues in Catalan, which appeared in 1917 and was published, with interruptions, until 1998.

The exhibition creates an opulent tableau that offers uniquely rich and complex insights into the fascination of Vienna circa 1900 and the atmosphere of this vibrant period. Comprising some 1,300 items displayed across three floors, this semi-permanent installation presents the splendour and wealth of the artistic and intellectual achievements of this era through masterpieces from the Leopold Museum and notable permanent loan works from Austrian and international collections.

Maillol, very present in Paris thanks to the bronzes installed in the Carrousel gardens by Dina Vierny and André Malraux, and inaugurating the sculpture gallery of La Piscine with Île-de-France, the Catalan Aristides Maillol appears as a sculptor as essential as he is misunderstood and little known.

Thanks to exceptional loans, Maillol's work is presented in all its variety: mainly sculptures, but also paintings, ceramics, embroidery and decorative art objects, as well as drawings and engravings. Although the exhibition covers his entire career, it focuses in particular on the early period, during which Maillol discovered his true vocation and established himself as a sculptor.

Who inspired Gustav Klimt, the great master of Viennese Modernism? How familiar was he with Vincent van Gogh? Had he ever seen a work by Henri Matisse? The collaborative exhibition between the Belvedere in Vienna and the Van Gogh Museum in Amsterdam follows a trail that starts with Klimt's artistic forerunners and leads to his contemporaries. In striking juxtaposition, the show displays works by Klimt, Van Gogh, Matisse, and many others.

Curated by Markus Fellinger (Belvedere, Vienna), Edwin Becker (Van Gogh Museum, Amsterdam) and Renske Suijver (Van Gogh Museum, Amsterdam).

The Fondation de l'Hermitage is devoting a major retrospective to one of the most important Belgian artists of the early 20th century: Léon Spilliaert (Ostend 1881-Brussels 1946). Self-taught, trained in the literature of his time, and convinced of his destiny as a chosen artist, Spilliaert is the author of a work of profound originality, bathed in metaphysical questions and Flemish culture, and produced almost exclusively on paper. Mixing graphic techniques, the Ostend artist weaves links with contemporary symbolism and expressionism and seems to announce, in his most radical landscapes, simplified to the extreme, geometric abstraction and minimalism.

This temporary exhibition was created with the aim of presenting the works and objects that have entered the collections of the three Sitges museums since 2014. This date marked the reopening of the seafront, Cau Ferrat and Maricel museums. Since then the museums have incorporated 1,382 works, objects and documents, of which a selection of 300 are now on display.

Among the works on display are pieces by Picasso, Isidre Nonell, Ramon Casas, Santiago Rusiñol, Olga Sacharoff and Alonso Cano, as well as one of the largest glass collections in Catalonia, which includes pieces from ancient Egypt to the 18th century.

The exhibition presents a journey that traces the painter's growing interest in floral elements. Through Anglada-Camarasa's oils, drawings, photographs, prints and clothing, we can see how flowers became an important element in his paintings and how they shaped his life.